3.39 How to get ahead when you’re feeling behind

In this episode, best selling author Sophie Hannah shares her “Book Ahead” method for managing multiple projects when you already feel behind. Born in the midst of a particularly busy year of writing, the first iteration of the Book Ahead method not only got the job done, it also changed how Sophie felt about herself, her other projects, and one of her long-standing “bad habits”. If you feel like you’ll be behind forever and want a technique that doesn’t just involve simply working more, then this is the episode for you! 

Links:

About Sophie Hannah and the Dream Author coaching programme

Pre-order Sophie’s new book, No One Would Do What the Lamberts Have Done

– UK, North America; available at other good bookshops!

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I'm Dr Vikki Wright, ex-Professor and certified life coach and I help everyone from PhD students to full Professors to get a bit less overwhelmed and thrive in academia. Please make sure you subscribe, and I would love it if you could find time to rate, review and tell your friends! You can send them this universal link that will work whatever the podcast app they use. http://pod.link/1650551306?i=1000695434464

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Transcript

Vikki: Hello and welcome to the PhD Life Coach podcast, and I am joined by another guest this week, and I am, I always say I'm excited, but I'm particularly excited because this is a good friend of mine as well, and international bestselling author, Sophie Hannah. Welcome. 

Sophie: Thank you. Thanks for having me on. I'm very excited to be here.

Vikki: It's perfect. So Sophie and I met because we did the same coach training and kind of moved in the same circles for a little while. Sophie has a coaching program for aspiring and current authors called Dream Author. Um, and we'll link to all that stuff in the show notes and well, we were having a conversation right, about how you manage all your different projects 'cause i'll get you to tell the audience a little bit more about yourself in a minute, but you're always juggling so many different writing projects and I just find it fascinating and that's where this whole conversation came about, I guess.

Sophie: Yeah. So, last year I was juggling, I am always trying to do too much. Like way too much. I have this. And it's not a bad thing. I think it's actually a good quality. I have this kind of form of extreme optimism where if I want something to be true, then I just decide it is, and then I do everything I can to make it true.

Sophie: So if there's lots of things I fancy doing, I just think, well, of course I can do all those things. And I don't often have realistic thoughts about what I'm actually capable of. And in many ways this causes problems. It certainly caused me a few problems and a lot of stress when I've committed to, you know, four things at the same time and then I find I can't deliver on time.

Sophie: But actually there is, I have found, and I've only really realized this quite recently, there is also an advantage to assuming you can do too much and committing to do too much. And the advantage is that even though you do often stress yourself out in the process of trying to sort of handle this massive workload, you also train yourself bit by bit to be able to do more.

Sophie: And this was a big eureka moment for me just a few days ago because I had got to the point where I thought, right, I'm not going to, in future, take on too much. I'll only take on what I can handle. And then I realized that what I can handle easily now is so much more, such a vastly greater amount of things because I've taken on too much in the past.

Sophie: So then I thought, right, I need a middle ground. I need a middle ground between don't take on more than I can handle and sort of don't take on more than I can handle in a way that means I never grow my capacity to handle more. So that's where I'm at with it now, and where I'm at right now is, I do want to take on too much, but deliberately and calmly and without stress and with a plan to not necessarily make it work entirely, but make it work as well as it can work all while feeling no stress. But this is very much a 2025 development and learning, because in 2024 what was happening was I was taking on too much, Not really seeing any advantage that there could be in doing that and just feeling all the stress.

Sophie: So I had committed to write three books and write and deliver from start to finish, three books between November the seventh, 2023, and January the 30th, 2025. So on the 7th of November 23, I knew that I had to start and finish three books in 15 months. And that felt quite scary to me because also they had to be good

Vikki: and we should probably put in context for everybody as well. I mentioned your dream author coaching program. The books is obviously what you are famous for and you know where you've built your career and all of that stuff, but you are also running a huge coaching program. You are also doing retreats, you are also doing talks for a whole variety of different places. It's not even just writing these books, right? 

Sophie: Yeah. Oh. Oh, not at all. I mean, my coaching program at any given time contains between 1300 and 1500 people typically. So I am the coach for more than a thousand people now. It works a bit like a gym membership in that if everyone came in to use the cross trainer on the same day, the gym would soon encounter problems.

Sophie: Not everyone asked for coaching on the same day. So it's totally manageable, but it's a lot, a lot, a lot of work. So yeah, when I thought I have these three books to write in 15 months. The, the thought in parentheses was as well as all my hours of coaching. So it felt like a lot, and it was a lot.

Sophie: And what I found was that in 2024, roundabout, no February, late February, 2024, I was not as far ahead as I knew I needed to be in order to meet that deadline. And I started to feel down about it. Depressed. Uh, not depressed. I mean, I'm, I'm quite a jolly person, so I never feel seriously depressed, but just as though there was this weight of stress and almost like having to accept failure on the doing things on time front.

Sophie: And I just kept thinking, I'm behind with this book. I'm behind with this book. And I was taking for granted that because I was behind with that book, which was book one of the three, the first I was gonna write. Because I was behind with that one, I thought, well, obviously I'm then gonna be behind with the next one, and then I'm gonna be about even more behind.

Sophie: So I saw it as a kind of domino effect of behind ness and then I was listening to a session with a life coach, an American life coach called Tiffany Han. I was in her program, which was called the Gentle Productivity Club, which was brilliant, and it was all about how to be productive but also not exhaust yourself.

Sophie: And she asked a question in this coaching call, which was something along the lines of have a think about what hasn't occurred to you yet. Like what haven't you thought of? What brilliant thing have you not thought of? And maybe you'd never think of it unless you think of it now, I can't remember how she phrased it, but it was just a completely open invitation to kind of say to your own brain, what is it that's not occurring to me?

Sophie: That it would just be brilliant if it did occur to me. And what occurred to me as if by magic was the idea that just because I was behind with one book did not mean I had to be behind with any other books and that I could get ahead on the next book while being behind on this book. So I thought, huh, okay, so where are we?

Sophie: It's, I think it was March. I had planned to totally finish book one by, let's say end of February. That's right and I had, I had finished it on time, but then it came back with loads and loads of notes and I saw that a massive rewrite was gonna be needed.

Vikki: So listen, before you carry on Sophie listeners, I want you to remember that like big ass author here, getting billions of edits, same as we moan about when they come back from our supervisors and stuff happens to the best of us. 

Sophie: And actually, you know, one does want it to happen because, you know, whenever I get my edit notes and then I reread the book, I think, oh cripes, the first draft really was flawed and it's supposed to be flawed.

Sophie: And the edit process is so lovely when you see it as just like, ah, now I get to make it good. First I got to make it just exist. Now I get to make it as brilliant as it can be. So I, I love doing the whole edit process, but I saw that it was gonna take quite a long time, and I had planned to start writing my next book at the beginning of May after a nice break between books.

Sophie: And I thought, no, no, no, that ain't gonna happen because this book is gonna take me probably until the end of May now to do all the edits. And then I thought, okay, but what if I could get ahead on the next book while being behind on this one? What might that look like? And I thought, well, I'm still in March.

Sophie: I could start the next book a whole month early and start it while I'm still editing the other one. And so not only would that enable me to practically get a bit ahead on the next book, but it would also completely shift the way I thought about myself and where I was at productivity wise, because suddenly just as if by magic, if I did this, what I came to call the ahead and behind method, I realized that I would not be able plausibly to think of myself as someone who's behind with their work, because I wouldn't be only behind, I would also be ahead.

Sophie: That would be great. And like being ahead in one way and behind in another way, kind of cancels each other out. And then I could think to myself, well, I'm right on time, really. If I'm ahead, I'm behind. I'm kind of doing okay in terms of deadlines. And unlike almost everything I've tried to implement where normally there's a few teething problems, the minute the second I started trying the ahead and behind approach it just worked at an almost miraculous level. My thoughts and feelings and general kind of vibe in my mind about both books was massively elevated very quickly. Not only did I love getting ahead on the next book, which I will explain how exactly I did that. I loved that process. I was like, here I am. I'm a month ahead.

Sophie: Look at all this brilliant stuff I'm doing so early. Aren't I good? Aren't I diligent? But also enjoying that so much had a knock on effect on the behind book, which no longer felt like quite such a burden because I was like, where every time I sat down with the behind book to work on that I was like, well, look, only this morning, I was really enjoying myself with the ahead book.

Sophie: So do I really wanna give this book the label, the Behind Book and feel bad about it? Why not just think of it as another book I'm writing and try and enjoy it? So it just worked amazingly well, but it only worked well because I found a way to do the Ahead book that was compatible with doing the Behind book.

Sophie: So the Behind Book was my main work of every day, apart from when I was coaching, but you know, when I had my writing time, it was the behind book that I was. Working on writing. And so I was sitting in my usual position with my laptop on my, on a cushion, on my lap, typing away for a certain number of hours.

Sophie: And I thought, well, I don't, I can't be doing that with two books at the same time. I just can't. That would feel oppressive and like, uh, I was overloading myself. So I thought, well, okay, how can I do the ahead book in the most different way possible so that it really feels like a different activity in a different part of my day.

Sophie: And I can't exactly remember how I came up with it, but it, it felt to me as though, like the answer was just obvious and there, and so what I did was reach for my phone every morning. So the first thing I do every morning is I get my phone, which is charging on the bed side table next to me. I do Wordle, the New York Times game.

Sophie: I share my WORDLE scores with my mom and my sister and my son-in-law. And I thought, right instead of them putting my phone down, I will keep it in my hand, open a new notes file and just record myself. 'cause there's a little button you can press if you're in notes, where you just record yourself speaking.

Sophie: And I will record myself speaking some words of my ahead book into my phone. And then later on I will look at those notes, type those words up. But that will just be a secretarial task, the writing, the creating is gonna happen in bed before I've even put my glasses on, dictating into my phone, and I'm gonna make it deliberately feel like a fun thing rather than a work thing by choosing an amount of words to aim for every day that feels so easy and doable, that it's just like can't possibly fail.

Sophie: So for me, the number I chose was 400 words a day. And I tried it out. The first day I went to my notes file, press record, started speaking a bit of the book, a bit of the ahead book. I'd got to 400 words in no time. Once I'd done a couple of, well, maybe three or four chunky paragraphs, I then copied and pasted those words into something called word counter dot net, and I saw that I'd done like 470 words.

Sophie: I was like, great. Done. And it just works so brilliantly. And there's so much more to it than that. But basically the way I was able to do it so effectively was to make the ahead book. I actually now call it the Book Ahead Method, and I'm determined to do it now from now on for every book even when I'm not behind on another book. So I'm, I'm just gonna do the book ahead method 'cause I just loved it so much. But the key, when I did have that other book that I was late with, the key was to do the book ahead book just in completely different way. And it just worked brilliantly. I was able to then do everything, feel great about it, lose the stress, and most importantly just not feel at all behind because there was something very important that I was ahead on. 

Vikki: I love this and I love the one little gap I'm gonna fill in. 'cause I remember it from when you first told me about this is the, where it came from, because I remember you talking to me about a bad habit that we have in common, which is scrolling on your phone when in bed in the mornings.

Vikki: And we had talked before about like, how do I stop doing it? Da, and I remember you saying. I've decided I just like being in bed on my phone and if I'm gonna be in bed on my phone, I might as well do this rather than that. And so I love the way that you were, rather than sort of being like, must be more disciplined, must get up, must go and work at my desk like a proper person or whatever.

Vikki: You're like, I keep doing it. I obviously like it, so i'll stay here and I'll do this. I'll write my new book from here in a voice note. And I love that. 

Sophie: Yeah, and I think one of the reasons this method works so well for me was that, as you say, I attached it. So I, I knew I wanted to do something, which was the 400 words a day, and I deliberately attached it to a firmly ingrained habit.

Sophie: So we both know having done our coach training at the Life Coach School, when something is just a firmly ingrained habit, it becomes easy to do, like brushing our teeth or putting our glasses on in the morning. It just happens because we expect it to happen 'cause it's a habit and I knew that. So I thought, okay, this habit that I've always thought should I try to get rid of?

Sophie: Because lots of people disapprove of picking up your phone first thing in the morning and not getting straight out of bed, but kind of lounging around. You know, all of those things. You can hear lots of people saying why you shouldn't do them. But I just, you know, having observed myself for 52 years, I just do lie around in bed in the morning and reach for my phone and stay on my phone. So I was like, why not really use that fact? And that firmly ingrained habit to produce something absolutely amazing and have fun in a slightly different way. I also knew that if I incorporated the ahead book writing into my kind of stolen, rebellious time of lying around in bed in the morning then it would make the writing feel like part of the fun bit stolen from my working day, not part of the dutiful, doing the work bit. And I knew that for a contrarian like me, who, if you're familiar with Gretchen Rubin's, the Four Tendencies, which I'm sure lots of your listeners will be, she basically divides everyone up into four categories.

Sophie: Upholders, obligers, questioners and rebels. And every time I do a quiz, I come out as a rebel. So I knew that if I did my, you know, it's, I'm writing the book, I shouldn't be writing at the moment, you know, and I'm writing it when I'm lying in bed, when I should have got up. I knew that would add to my enjoyment and motivation, and it really worked.

Vikki: I love that. And it also means that it didn't steal time from the other book, right? Because I'm sort of trying to hear what I think the listeners might be thinking and stuff, and one of the things I can imagine is them saying, yeah, but surely you got more behind on the book you are behind on if you are giving time to this book. Yeah. And I think this idea of stealing time that you weren't using for other work is, is hugely important. 

Sophie: Yeah, that is such a good point. So at no point, not even on a single day, did any time that would otherwise been spent on the Behind book get stolen? All of my ahead book writing happened when I definitely would not have been writing my behind book anyway.

Sophie: So lying in bed, I mean, typically before I did the book ahead Method, I'd spend half an hour to an hour lying in bed just looking on Rightmove, Instagram, Facebook, X and BlueSky. Um, at least 20 minutes looking at things people had written that I thought was silly and getting cross about those things in an enjoyable way.

Sophie: And I was like, okay, so I can do that for five minutes and spend 15 minutes writing a bit of my ahead book and then I started to branch out. So sometimes I would do my ahead words, uh, when I was walking the dog, or you know, if I was in the hot tub near where I live in Cornwall, there's a hotel with a hot tub that I like to sit about in.

Sophie: And sometimes I would just have my phone. I'm such a rebel. I take my phone into hot tubs and my mom outrageous. My mom can't bear it. She's like, whatcha you doing? It might fall in. I'm like, but it fallen and so far it does not fall in. And I would just record my book ahead, words in my phone in the hot tub, and then I get to stare out at the nice view. And you know, so I, but I always made sure it came from time. That wasn't time that belonged to the Behind book. 

Vikki: And you've touched on this already, but the other thing that kind of really stuck out to me is the impact of changing your self-concept with all of this stuff as well. Because again, often I think in academia, we think about work in quite a, sort of a boxed way, right?

Vikki: That I've only got the, I've got these hours to get stuff done, and if I'm doing other things then I'm not. But it sounds as though even within those hours that you are working on the behind book, you were working more effectively and more enjoyably because of the mindset shift.

Sophie: Completely because the overall picture and story was no longer a negative one. It wasn't the case that I was behind on Book one and therefore behind on Book two. And no doubt, by the time I got to book three, I'd be even, I'd be so behind, I might as well be, you know, in another time zone. That was no longer the case. The minute I started doing the ahead method and it worked. I was like, I'm, I'm ahead as much as I'm behind, which effectively means. Take all things into consideration. I'm pretty much on time, perfectly on time. What could be better, you know? And, and I just, yeah, it, it changed everything, but it wasn't a kind of hard one. You know, if I make an effort, maybe I can feel, it was like instant. The minute I started, everything just changed completely and even I started not to care or worry or stress if the behind book even got a bit more behind. I was like, yeah, that's fine. That's meant to be the behind. Who cares when that's finished? It'll get finished at some point. But the most important thing is that on my ahead book, I'm way ahead and, and the whole process actually it really did kind of come true. 'Cause what happened was. By the time I finished and handed in the Behind book, I had about 55,000 words of the ahead book. I then read through those 55,000 words 'cause I thought, right, what do I do now? Does do I carry on with my ahead method now that there's no other book taking up my main working day?

Sophie: And I thought, well, no. Now I should make this the book I'm writing. I read the 55,000 words and they weren't really. I couldn't have just like said, right there are the first 55,000 words, I'll just write the rest. Because they were fragments and scenes, they weren't stitched together at all. I'll say a bit more about that in a minute 'cause that is quite important.

Sophie: But even so, having read them through, I thought, I know this book so well. I know what it's about. I know what all the main things are. I know the characters so well. So I kind of started from scratch writing a first draft of the book, but it didn't feel like a first draft. It really felt like a final draft because all the invention had been happening as I wrote the 55,000 words.

Sophie: So to turn that into a coherent book was way less work and effort, and that was a surprise, like when I read through the 55,000 words and thought. Oh, this is not really a book. Like this isn't even three quarters of a book that I just finish off now. This is a load of amazing material that has to be turned into a coherent book.

Sophie: And at that point I was like, ah, this is gonna take eons. And it just didn't, it all just fell into place because so much of what was important was there already, and I, I just knew the thing inside out and because I'd had that experience of writing it in such a fun way, turning it into the proper book felt like fun as well.

Sophie: And just editing it then felt like, felt like the whole process felt like really good fun. Now, this is where I need to tell you a really important bit of the book ahead method. So, because you want to make it feel like fun and not like your main work that's occupying most of your working day. What you don't wanna do in the book ahead method is allow any perfectionist thinking to creep in.

Sophie: You don't wanna think, right how, how best to start this scene. No. The minute you start thinking what's the best way to start? Or you know, what's the best opening for chapter one already you are into serious work thinking. So I just decided that what I was gonna do was that at the beginning of every book ahead writing session, I was gonna think to myself, okay, what is something that definitely has to be in there?

Sophie: No matter what else happens. So in the case of my ahead book, which is called No One Would Do What The Lamberts Have Done, it's about a family that does the unthinkable, an ordinary family that does the unthinkable. And I deliberately don't say what the unthinkable is 'cause I want people to read it and find out.

Sophie: But I knew. There were certain things that had to be in there. There was, for example, an argument about resemblances that a mom and a son had to have. So I thought, right, there's just no way, no way on earth that book is not gonna contain the resemblances discussion because it's an important clue. So I thought, right, start there.

Sophie: So I literally started in the middle of a scene, and it's a mum and son arguing about this, based heavily on an argument that my family actually had where I said, Hey, who does? We were watching a movie and I said, Hey everyone, who does she remind you of? And my son said, no one. I was like, no, no, she does. She does. Look. Look at her. Who does she remind you of? He said, she doesn't remind me of anyone. Mum. I know who you are thinking of. It's so and so. I was like, wait, if you know, I'm thinking of so and so. That has to mean she reminds you of so and so as well. He was like, no, it doesn't, she doesn't remind me of anyone, but I just knew she, it turned into the most absurd argument and that argument had to be in the book.

Sophie: So I just started with that argument and then the next day I was like, okay, what else definitely has to be in there. Well, there has to be the bit about the song that the mum sings to the dog. They've got a pet dog who is very important in the story. He's like a member of the family, and he has a day song and a night song that his mom, his human mom sings to him.

Sophie: They both have to be in there. So every day it was like, okay, what else is super important and has to be in there. So what I ended up with when I read those 55,000 words was just loads of small bits with no edges, as it were, just centres of scenes almost. But they were all the most important scenes that I ended up with because every morning I think, what's the next most important thing that's definitely going in?

Sophie: So actually it's like just a brilliant way, as it turns out, I didn't know it was going to be, I was like, okay, well this'll have to do, but it turned out for me anyway, to be a brilliant way of getting all the essentials down there. And kind of pushing my perfectionist tendency out of the way going, no, no, you don't get to be fussy about grammar and how are we starting this chapter?

Sophie: You just get to move aside and we're just going to the heart of something that really matters for the book, and we're just writing from there without any care in the world, and it just really worked.

Vikki: Yeah, because I think there's something about that lack of a sort of linear approach that also presumably made it feel more different.

Vikki: Than what you were doing in your other book too, because I can imagine if it was like, read what the 500 words I wrote yesterday and write the next 500 words, then it becomes a bit more like, Ooh, what does need to come next? 

Sophie: Yeah. It was so, not only was it completely different from the behind book approach, it was also completely different from anything I've ever done before.

Sophie: And from the kind of person I am, I, I had to just say to myself, there's only one way this is gonna work. And this is if you do, if you approach this in a way that someone like you would just never approach anything. But that was very liberating. Mm. Right. I'm gonna forget, I'm, you know, miss, I am literally Mrs. Linear approach. You know, you can't get more linear than me. Most of the time I'm the kind of person who goes, right, well, before we go to the supermarket, we've got to plan our route and we've got to make our shopping list. You know, I like to get organized, get ahead of myself. And I just thought if I try that with this. I'm just gonna kill it stone dead, because my brain will be like, wait, we've already got all these linear responsibilities over here with this book. That had to feel completely different and fun and more like playing wordle. Like, oh, a fun thing I do in the morning, you know? Let's see. What words appear today?

Vikki: How would you, so I've got some ideas for this, but I'm interested in your perspective. So this is a PhD. Podcast as you know. We may well have listeners that write fiction that are like, oh my God, this is amazing, but I wanna translate it through into the sort of work that PhD students and academics are likely to be doing as well.

Sophie: Absolutely. And I, and I can do that because my father was an academic, my husband was an academic for many years. My son-in-law has just finished university, so I'm very, very familiar. I've got loads of close friends who are academics, so I, so yeah. Ask me about how it really, so how 

Vikki: would you envisage if, if people listening are like, okay, right. I'm behind. I, you know, my thesis is due at the end of the year. Um, I am meant to have handed in a draft of the first two chapters. Um, how would I even consider getting ahead on chapter three because it's, you know, I need my references and I need my data. And it's structured. It's not outta my head the way fiction is.

Sophie: Yeah. Well, I think from an academic point of view, there's loads of ways you could actually use this. So you could use it in relation to chapter three. If you are behind on chapter one or chapters one and two, but you could also, you know, let's say you are doing a PhD on, um, you know, the philosophy of freedom from versus freedom to which is a big moral philosophy question and that's what your PhD is on.

Sophie: But you happen to know that your next brilliant academic work is gonna be on, um, should a dog be allowed to be Prime Minister, let's say. Yeah. There are philosophers who argue all kinds of strange and extreme. I, I know of a politics, a former politics professor who genuinely, seriously believes that six year olds should be given the vote. He argues this in all seriousness and I was inspired by this to decide that dogs should absolutely be allowed to be prime minister because let's face it, what could unite the country more effective? You couldn't, no one could disagree with the dog's policies 'cause dogs aren't able to have policies.

Sophie: I mean, fantastic on so many levels. Anyway, let's say that's your next philosophical work that you are planning. You could start doing the ahead method in relation to that. You are like, okay, what might I want my introduction to say and what are my key arguments that I'd want to put forward?

Sophie: So whichever feels most useful or inspiring to you, you could do the ahead method with, you could even say, okay, I might only be on chapter one or two of my PhD right now, but one day I am gonna win the Nobel Prize for my academic writing and the book that will seal the deal, my great master work that everyone will read for centuries to come is gonna be on this topic and I'm gonna start doing the ahead method with that.

Sophie: So it's whatever feels like it works for you. Now, I'm guessing with a PhD student, You might worry about being behind on chapters three and four more than you'd worry about your great masterwork. So you should choose the thing which, if you got ahead in relation to it, would most effectively offset the feeling of behind in relation to whatever you're behind on, if that makes sense.

Sophie: So it's probably more likely to be chapters three and four. But who knows? It's just whatever works, whatever. Whatever changes things so that you think and feel differently about where you are in relation to the work. 

Vikki: Yeah, no, definitely. The example that jumped into my head is, usually people write the introduction to their thesis and the general discussion of their thesis last, right?

Vikki: They have either they write up as a series of papers or they have a more traditional kind of lit review, methodology, and then a series of results, chapters or whatever. I. And one of the things that struck me was that those sections, yes you have to do separate reading for them to some extent, but often those sections are about contextualizing the work that you've done.

Vikki: They're about interpreting the work that you've done. And I could definitely see a situation where your kind of current role is writing up one of the results chapters of your thesis. Yeah. But that you started brain dumping bits of text that you might use in your general introduction or your general discussion because like you say, you don't know the exact results you are going to find, but you know you need a section about the limitations of your studies.

Vikki: You know, you need a section about possible future directions. You know, you need a section about where your work fits in the context of other people's work. And while some of those things might need you to go away and figure out the actual details of them later, the kind of notional ideas of stuff you need to say often is in your head.

Vikki: Yeah. Yeah. Especially if you can, as you say, put aside that perfectionism, being able to say like, you know, I'd need here to refer to the paper by somebody or other whose name I've forgotten, but that's okay. It's the one where they did this. And then keep talking. So as long as you can kind of put aside that perfectionism of actually knowing the exact details.

Vikki: 'cause as you say, that's secretarial, that can be added later. Yeah. Um, I think you could get hugely ahead of those chapters. 

Sophie: Yeah. Yeah. And your ahead writing could be a series of notes and just things to remember. Or it could be, you know, if you think of a particular line you really want to say that, that brilliantly encapsulates an argument you want to make. It can be that as well. 

Vikki: Yeah. And I think doing this, even if your main body of work at the moment is reading, getting ahead of the writing I think is useful. I mean, I'm a big proponent of writing when you're reading anyway, but having that kind of thing that if the majority of your time at the moment is reviewing the literature, having that time where you wake up in the morning and you just.

Vikki: Write stuff verbally about the, what you recall reading yesterday and why it was relevant and why you think it might not be relevant and those sorts of things. I can imagine it also being a really good way to process your thoughts about the stuff that you're reading at the same time. 

Sophie: Yeah, completely. But I mean, there's so many ways it can work and, and just, we haven't covered this yet, which I think is important in another way, which is just thinking, It's not just this anymore. 'cause I think when you've got a novel that you're working on or a PhD that you're working on, it can start to feel like an oppressive thing.

Sophie: Looming over you. That just blocks out everything else. The minute you start doing something else, creative or intellectual that you care about, then that looming scary thing suddenly becomes not the only thing. And it has to kind of take its place in an overall picture that contains other things you're working on.

Sophie: And that is so powerful just in and of itself because it's like, oh, what about this over here? You are not the only thing in my life, PhD or novel. And it's very empowering. 

Vikki: Definitely, and I think you can also make it feel more like what you imagined PhD might be like too, because I think often people come to their PhDs, especially people that come to their PhDs not straight after their masters.

Vikki: They've made kind of a conscious decision to come back to it. It's a topic they love. They sometimes have a slightly romanticized view of what that's gonna be look like, right? Or, you know, I'm gonna be doing this intellectual work and waning around thinking high thoughts and dah, dah, dah. And suddenly their supervisors are saying, can you gimme a Gantt chart? And you're like, what? That wasn't what I envisaged. And I feel like you could create some of that, that sense of it being what you envisaged. 

Sophie: If your main work project at any given time is say, a Gantt chart, then you can use your ahead writing time to do the kind of writing or PhD work that you looked forward to doing, but just in relation to a different bit of your PhD.

Vikki: Yeah, and that's where I want everyone to be really clear. We are not saying that this has to invo involve voice notes in bed in the morning. 'cause I can hear some people going, you know, oh, but I, my brain doesn't wake up or whatever. That's not the point. The point is that it's really distinct from how you normally work. So for some of you, so I have a good friend, who will say writes books, and he loves writing longhand in a beautiful notebook. And so it might be that maybe your real PhD work, you're in there, you're doing your data, you're typing away on your laptop and things like that.

Vikki: But in the ahead part you've got a beautiful notebook and a fountain pen, and you only do it in slightly glamorous looking hotel foyers, but once a week you go off and do that or whatever. Right. 

Sophie: Yeah, and I, I massively would love to write something in a beautiful notebook. Uh, I, I take all my notes in a beautiful notebook, but that Yeah, precisely. That's the kind of thing you are ahead method of writing can be whatever you want it to be. There's loads of people who would absolutely hate why around in bed talking into their phone. I mean, like, some people would be like, no, I've woken up. I want to get up and have a shower. It's attaching it to what works for you that matters and making sure it's different from your main task of work at that time and more fun feeling. More, more sort of easy and light feeling.

Vikki: Yeah, definitely.

Sophie: You then get to witness yourself doing work on your PhD and having fun. Or I get to witness myself writing a novel and having fun. That reminds me by proving to me that actually writing novels can be fun. So then I look at the other novel I'm writing, I go, well, what if you could be fun? You haven't been for a while, but like, what if you could be?

Sophie: And it all just has a knock on effect where you end up having much less stress and much more fun. 

Vikki: I love this.

Sophie: If you try the ahead method and you love it, you can then do it even when you are not behind on something else, and that is what I decided to do.

Sophie: I love the ahead method so much. I thought, well, why not just write all my books this way? Why not just write. I'd like to go down from 400 words a day to 300 to make it even lighter and easier feeling. But I am seriously planning to write my next book at the rate of 300 words a day, all via the book ahead method, even though I won't be behind on anything else.

Sophie: So that's why I changed it from ahead and behind to, yeah, I giving names and titles to things. So originally when I introduced this in my Dream Author coaching program, I called it Ahead and Behind. But then when I decided I was gonna do it anyway, even if I wasn't behind, then I changed it to the Book Ahead Method and I am gonna do it even when I'm not behind on other things.

Vikki: Love. Amazing. Thank you so much, Sophie, for coming on. It is super useful. Tell people a little bit more about what you're up to at the moment and what books they should be looking out for. 

Sophie: Well, I am finishing my next Poirot novel. So one of the things I write is the new series of Hercule Poirot novels at the request of Agatha Christie's family. And I'm just putting the finishing touches to the latest one of those and preparing to launch the book I've mentioned already, which is called, it's a very long title. No one would do what the Lamberts have done, which I call Lamberts for short. And then I'm apart from that, I'm coaching and doing lots of swimming, which I always do. And planning the next stages of the dream or for coaching program, which is about to develop in various ways. 

Vikki: Can't wait to hear about that. We will put links to Dream Author and to where you can find out more about Sophie and her writing generally in the chat. Thank you so much, Sophie, for coming on. Thank you everyone for listening and I'll see everyone next week. Take care. Bye-bye.